Takaapoo it means Bustle. The piece tells an emotional and psychological story about identity and contemporary man by fusing semi-abstract forms with rich color textures. The work can be read in a variety of ways, ranging from personal crises that have engulfed humanity in recent years to alienation and the unpredictability of existence.

This collection emerges from an exploration of the relationship between light and shadow. Textures become a passage for light and a ground for shadows, creating—each time—an image anew and a unique experience for every viewer. Forms do not appear within a fixed narrative, but rather through the constant shifts of perception and gaze.

Angel is a narrative about humanity itself—about our enduring impulse, across history, to imagine ourselves in the form of myths, angels, and saviors. From the earliest cave paintings to ancient inscriptions and symbols, this motif repeats: in the search for salvation, humanity has continually projected its own image onto the realm of the divine.

This series of figurative works, created with ink and metal pen, is an attempt to seize fleeting moments—those that pass in an instant yet endure through image. Lines and ink washes trace the rhythm of time, rendering figures suspended between motion and stillness. More than mere depictions of bodies or faces, these paintings are records of human presence—marks of existence held delicately between appearance and disappearance.

This series consists of charcoal drawings with a primary focus on the human figure. Serving as personal studies or sketches, the works explore the form and movement of the body. Through the interplay of lines and shading, they offer a visual experience of the figure, capturing both its essence and the artist’s inner perspective. Though intentionally unfinished, each piece reveals a sensitivity to anatomy and motion, reflecting a direct and expressive engagement with the subject.