Angle
Angel is a narrative about humanity itself—about our enduring impulse, across history, to imagine ourselves in the form of myths, angels, and saviors. From the earliest cave paintings to ancient inscriptions and symbols, this motif repeats: in the search for salvation, humanity has continually projected its own image onto the realm of the divine.
In this series, the angels are not celestial beings but reflections of the human condition—figures caught between the dream of redemption and the weight of history, between the language of myth and the realities of politics. The washes of ink and the sharp lines of the metal pen create a texture that echoes both the fragility of these narratives and the deeper truth they conceal: that salvation does not descend from the heavens, but emerges from within ourselves.
Ultimately, Angel unveils a dual world: on one side, the transcendent and the spiritual; on the other, the heavy gravity of earthly realities and the crises of the human present.
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